"I
have always been intrigued by the element of chance which becomes apparent
when creating resist-dyed textiles:
The consistent use of a wax resist to create a precise outline, allowing
the dyes to flow and merge or else be contained in areas of pure colour,
the subtle effects of over-dyeing once the wax has been removed.
The dyed cloth is never entirely predictable but always satisfying for its
colour quality, allowing for the natural sheen of the silk to come
through."
